One of my favorite parts of a consultation is when couples tell me what they’re looking for in their wedding photos. Almost every time, they’ll say something like, “We want candid photos, but we also love those really editorial portraits.” Then they’ll pause for a second and ask, “Can we have both?”
The short answer is yes.
Somewhere along the way, wedding photography became a series of labels. Documentary. Editorial. Fine art. Cinematic. Social media has made those categories feel like you have to pick one, as if choosing a photographer means deciding what kind of wedding you’re going to have.
After photographing more than 200 weddings, I don’t think it works that way.
Your wedding isn’t one type of moment from beginning to end. It’s emotional, chaotic, elegant, sentimental, and wildly fun, sometimes all within the same ten minutes. The best photographers don’t force every part of the day into one style. They recognize what the moment needs and adjust accordingly.
That’s where the difference really lies. So what is the difference in Documentary vs. Editorial Wedding Photography?
When people hear the word documentary, they often imagine a photographer hiding in the corner with a long lens, never speaking to anyone.
In reality, documentary wedding photography is much more intentional than that.
It’s about recognizing the moments that deserve to unfold without interruption. Your parents seeing you dressed for the first time. Your partner taking a deep breath before the ceremony. Your grandparents laughing together during cocktail hour. Those moments don’t need direction because they’re already perfect.
Some of my favorite images have happened while I wasn’t saying a word. I simply noticed something unfolding and let it happen. Those photographs often become the ones couples frame first because they don’t just remind you what your wedding looked like. They remind you exactly how it felt.
That’s the heart of documentary wedding photography. It preserves emotion instead of manufacturing it.







Now imagine you’ve just stepped outside for portraits after the ceremony.
The light is soft, your dress is moving perfectly in the breeze, and you’ve finally had a few quiet minutes together as newlyweds.
This is where editorial photography shines.
Unlike documentary photography, editorial photography invites direction. I’ll guide you toward the best light, straighten a jacket, fluff a veil, or suggest a little movement instead of asking you to stare at the camera and smile. The goal isn’t to make you pose like professional models. It’s to create photographs that feel elevated while still feeling like you.
Editorial photography is less about documenting what’s already happening and more about creating something beautiful together.
Those are often the images that end up hanging above the fireplace or filling the pages of your wedding album. They’re timeless because they’re intentional.









There’s one more word you’ll hear often, especially when you’re looking at wedding films.
Cinematic.
People sometimes think cinematic is another photography style, but I see it a little differently.
To me, cinematic is simply editorial translated into motion. I’m still helping you pose and know what to do with your hands, we’re just making the moment a little more whimsical!
Just like editorial photography, cinematic videography is intentional. The framing is thoughtful. The movement is purposeful. The pacing, music, and editing all work together to create something immersive.
The moments themselves are still real, the difference is in how those moments are captured.
Instead of simply recording your first dance from one angle, a cinematic approach might slowly move around you as you dance, letting the movement of the camera become part of the storytelling. Instead of a static shot of your venue, the camera glides through the space, revealing the details the same way your guests experienced them.
It’s still your wedding.
It’s simply told with a more artistic eye.



This is where I think the conversation around photography styles starts to fall apart.
You’ll often see photographers market themselves as either documentary or editorial, almost like they’re competing philosophies.
I don’t believe they are.
Imagine if your entire wedding gallery consisted only of portraits. They might be beautiful, but you’d miss your flower girl dancing with your grandfather or your mom wiping away tears during the ceremony.
Now imagine the opposite.
What if every photograph was candid? You’d still have wonderful memories, but maybe not that stunning portrait of the two of you at sunset or the image that perfectly captured the architecture of your venue.
Neither gallery would feel complete.
The strongest wedding collections blend both approaches because your wedding deserves both. Some moments ask for quiet observation. Others deserve a little artistic direction.
Knowing the difference is important.
Knowing when to use each is what experience looks like.
Over the years, I’ve realized that my favorite weddings are the ones where couples forget they’re being photographed.
Not because I’m invisible all day, but because they trust me enough to stop thinking about the camera.
During the ceremony, I’m documenting. During family portraits, I’m leading. During sunset portraits, I’m creating. During the reception, I’m back to observing the dance floor as it unfolds.
Each part of the day asks for something different.
If I photographed the entire wedding like an editorial fashion shoot, I’d miss the spontaneous moments that make your wedding uniquely yours.
If I photographed everything like a documentary, I’d leave behind opportunities to create portraits that feel like artwork.
The balance is what makes a gallery feel complete.
It’s also why I love offering both photography and videography together. The same philosophy carries through everything we create. Real moments first. Beautiful storytelling second. The result is a gallery and wedding film that feel cohesive because they were created with the same vision from start to finish.
The truth is, you probably don’t need to choose.
Most couples aren’t looking for one style. They’re looking for photographs that feel honest and beautiful at the same time.
You want to remember the tears during your vows, the laughter during speeches, and the way your partner looked at you across the dance floor. You also want portraits that make you stop every time you walk past them hanging on your wall.
Those things aren’t mutually exclusive.
In fact, I think they depend on each other.
The emotional moments make the portraits more meaningful. The portraits give those emotions a timeless place to live.
If you’re planning your wedding, these guides are a great next stop: